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[personal profile] larryhammer
During our trip to Switzerland a year ago, my brother-in-law the early music student got a friend who teaches recorder to give me a lesson -- my first since 5th grade. I came out of it chastened with the knowledge that my technique was as sloppy as I feared. Aside from a couple tidbits about that, however, what struck me was two pieces of general advice.

First, when practicing, don't worry about others, about embarrassing oneself with mistakes. If you're too self-conscious about hitting a note wrong, you'll often blow too softly -- and holding back produces its own mistakes. Don't pay attention to any audience. Don't look down. Do it for yourself. Second, play for the phrase, not each note. Yes, you do have to get the right notes, but the music is in the passage. Pay attention to the rests, and the legatos, and the staccatos.

As I slowly limber up on the piano,* I'm struck by how these both apply to that instrument.

And, I'm slowly seeing, in other arts as well -- and not just the obvious one, writing. Pay no attention to the people beyond that screen -- write for yourself. The second especially applies to a common mistake of beginning writers, who often nitpick on sentences without looking at the scenes, the structures, the character arcs. And then there's such exhibits as over-researched historical novels and overdetailed worldbuilding. But they also, in analogous ways, apply to origami. A little while ago, I saw a quote from Robert Lang to the effect of the most common mistake of intermediate origami folders is to crease the paper too sharply. I stared at this for several moments, thinking, "I resemble that remark." A sharp crease is folding for this instruction, without regarding the overall model.**

I suspect, however, that extended them to domains such as ethics would only lead to trouble.


* I'm up to picking my way through the easiest of the Mozart and Haydn sonatas -- if I once knew them well. And can mangle Clementi with verve.

** ETA: Folds, I should probably explain, interact -- and not just when they intersect.


---L.

Date: 6 January 2007 09:51 pm (UTC)
From: [identity profile] janni.livejournal.com
This is a nice explanation of why focusing on grammar and the small scale stuff early on is counterproductive.

Date: 6 January 2007 10:14 pm (UTC)
From: [identity profile] haikujaguar.livejournal.com
I find this also applies to body movement/health (http://haikujaguar.livejournal.com/331342.html).

Date: 6 January 2007 10:19 pm (UTC)
From: [identity profile] movingfinger.livejournal.com
Unlike violin practice, no one thumps on the wall or ceiling to complain about writing.

Date: 7 January 2007 04:01 pm (UTC)
From: [identity profile] janni.livejournal.com
Not to mention the thump of the writer pounding his or her head against the keyboard.

Actually, I did have a neighbor complain once. I had a very old 2400 baud modem, and I had to pound it to get it to work, and one day the pounding got a bit loud and she came up to "make sure everything was all right." (Yes, I did get a new modem after that!)

Date: 7 January 2007 01:12 am (UTC)
From: [identity profile] palomapus.livejournal.com
I immediately went to 30,000 feet on this one - that sounded like life advice my dad used to give me when my tightly focused energy would actually stop instead of start me on my endeavor. This was fascinating. Thanks!

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