larryhammer: drawing of a wildhaired figure dancing, label: "La!" (dancing)
For Poetry Monday, while I could start another Kipling pong to a Housman ping, let’s instead boing off Housman himself:

Poem, after A. E. Housman, Hugh Kingsmill

What, still alive at twenty-two,
A clean, upstanding chap like you!
Sure, if your throat ’tis hard to slit,
Slit your girl’s, and swing for it.

Like enough, you won’t be glad
When they come to hang you, lad:
But bacon’s not the only thing
That’s cured by hanging from a string.

So, when the spilt ink of the night
Spreads o’er the blotting-pad of light
Lads whose job is still to do
Shall whet their knives, and think of you.


Housman claimed this was the best and indeed only good parody of himself he’d seen.

---L.

Subject quote from Pepper, Butthole Surfers.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (Greek poetry is sexy)
It’s been a while since I indulged you all with some very bad poetry—and it just so happens I just stumbled across a glorious example. You know you’re in for a ride when the poem starts:
Spirits of dawn, divinely manifest
Behind your blushing banners in the sky,
Daring invaders of Night's tenting-ground,—
How do ye strain on forward-bending foot,
Each to be first in heralding of joy!
With silence sandalled, so they weave their way,
And so they stand, with silence panoplied,
Chanting, through mystic symbollings of flame,
Their solemn invocation to the light.
Mechanically competent, but yeah not good. At all. This is from “Sunrise on Mansfield Mountain” by Alice Brown (1857-1948). She’s better known as a local-color New England novelist—the mountain in question is in Vermont, so the location at least is in her wheelhouse.

You can appreciate the full poem here. You’re welcome.

Subject quote from Florence Nightingale, from Eminent Victorians, Lytton Strachey.
larryhammer: Yotsuba Koiwai running, label: "enjoy everything" (enjoy everything)
I learn from Wikipedia that:
In 2018 and early 2019, a musical comedy play titled McGonagall's Chronicles (Which Will Be Remembered for a Very Long Time) was toured in Scotland, retelling the story of the poet in "almost rhyme". It was directed by Joe Douglas and written by Gary McNair; McNair appeared in the lead role, with live musical support from Brian James O'Sullivan and from Simon Liddell, who composed the show's songs.
The citation is a broken link, but while I can confirm some performances, so far I am unable to find footage of a performance. And, clearly, I NEED to watch this.

Help me, Obi-wan Internets -- you're my only hope!

ObBonusMcGonagallery: From the article on The Famous Tay Whale (background) I learn that it has been set to music at least twice. A stunning thought, to be sure.

---L.

Subject quote from The Famous Tay Whale, William McGonagall.
larryhammer: floral print origami penguin, facing left (greek poetry is sexy)
It's been a while since I've used this tag, and this needs to be seen to be believed:

Bob and Bill See Canada by Alfred Uren, in which a pair of anthropomorphic Nova Scotian rabbits tour the rest of the Dominion, in rhymed verse.

Crashing, hard-rhymed, heavy-metered,* monotonous verse in which the author** lets his form control his content, such as padding out lines to make the rhyme and reciting banal details just because he can get them to rhyme -- both to the detriment of his pacing. He also lets his didactic purpose (educating the childrens about their fine country) control the story, such as it is.

I admit, I seek out bad poetry, but this is more painful than entertaining in its badness. I also admit, I am curious about the reactions of Canadians here to passages describing locations you're familiar with, and not just because I wish to share the pain.


* Not that heavy meter always keeps the author in his meter -- the strong stresses make his irregular lines stand out all the more.

** I hesitate to call him a poet, and I am usually very generous with this title.


---L.

Subject quote from "Sonnet to a Young Married Lady Possessed of a Freehold in the County of Sussex," Hilaire Belloc.
larryhammer: Yotsuba Koiwai running, label: "enjoy everything" (enjoy everything)
Since we had Alfred the Tennyson for last week's Poetry Monday, how about an elegy for him?


Death and Burial of Lord Tennyson

Alas! England now mourns for her poet that’s gone—
The late and the good Lord Tennyson.
I hope his soul has fled to heaven above,
Where there is everlasting joy and love.

He was a man that didn’t care for company,
Because company interfered with his study,
And confused the bright ideas in his brain,
And for that reason from company he liked to abstain.

He has written some fine pieces of poetry in his time,
Especially the May Queen, which is really sublime;
Also the gallant charge of the Light Brigade
A most heroic poem, and beautifully made.

He believed in the Bible, also in Shakespeare,
Which he advised young men to read without any fear;
And by following the advice of both works therein,
They would seldom or never commit any sin.

Lord Tennyson’s works are full of the scenery of his boyhood,
And during his life all his actions were good;
And Lincolnshire was closely associated with his history,
And he has done what Wordsworth did for the Lake Country.

His remains now rest in Westminster Abbey,
And his funeral was very impressive to see;
It was a very touching sight, I must confess,
Every class, from the Queen, paying a tribute to the poet’s greatness.

The pall-bearers on the right of the coffin were Mr W. E. H. Lecky,
And Professor Butler, Master of Trinity, and the Earl of Rosebery;
And on the left were Mr J. A. Froude and the Marquis of Salisbury,
Also Lord Selborne, which was an imposing sight to see.

There were also on the left Professor Jowett,
Besides Mr Henry Whyte and Sir James Paget,
And the Marquis of Dufferin and the Duke of Argyll,
And Lord Salisbury, who seemed melancholy all the while.

The chief mourners were all of the Tennyson family,
Including the Hon. Mr and Mrs Hallam Tennyson, and Masters Lionel and Aubrey,
And Mr Arthur Tennyson, and Mr and Mrs Horatio Tennyson;
Also Sir Andrew Clark, who was looking woe begone.

The bottom of the grave was thickly strewn with white roses,
And for such a grave kings will sigh where the poet now reposes;
And many of the wreaths were much observed and commented upon,
And conspicuous amongst them was one from Mrs Gladstone.

The Gordon boys were there looking solemn and serene,
Also Sir Henry Ponsonby to represent the Queen;
Likewise Henry Irving, the great tragedian,
With a solemn aspect, and driving his brougham.

And, in conclusion, I most earnestly pray,
That the people will erect a monument for him without delay,
To commemorate the good work he has done,
And his name in gold letters written thereon!
—William McGonagall



Okay, I jest, in the sense that a sucker punch is a joke. That's not an elegy — it's newspaper verse, in the sense that the poetaster, per his standard operating procedure, ripped his material from the headlines, versifying (I use the term advisedly) the newspaper article in hand as he went. If anyone here actually read all the way through that — and yes, I say this as a challenge — give yourself a pat on the back and/or a stiff drink. I have to admit, though, that what bugs me the most about this … production … is the missing article at the start of the title.

(Why pick out "The May Queen" of all poems? -- It's decidedly minor Tennyson. I'm guessing the tragical sentimentality was pitched right at McGonagall's level.)

—L.

Subject quote from "Late Leaves," Walter Landor.
larryhammer: pen-and-ink drawing of an annoyed woman dressed as a Heian-era male courtier saying "......" (argh)
It's been a while since I got to use this tag, but I couldn't resist when I stumbled across this Tennyson sonnet:
Check every outflash, every ruder sally
    Of thought and speech; speak low, and give up wholly
    Thy spirit to mild-minded Melancholy;
This is the place. Through yonder poplar alley
Below, the blue-green river windeth slowly;
    But in the middle of the sombre valley
    The crispèd waters whisper musically,
And all the haunted place is dark and holy.
The nightingale, with long and low preamble,
    Warbled from yonder knoll of solemn larches,
    And in and out the woodbine’s flowery arches
The summer midges wove their wanton gambol,
    And all the white-stemmed pinewood slept above—
    When in this valley first I told my love.
And not just because it doesn't end well -- the truly astonishing bit is the rhymes on sally, alley, valley, and musically.

Ouch. Ouch ouch ouch.

That would be bad enough in a standard-issue poet, but this is Tennyson, with one of the best ears in the language. Even when he's writing drivel, it SOUNDS good. And this isn't juvenilia, either -- it was printed in a magazine and then reprinted, but Tennyson never included it in any collection. For good reason.

(Fair is fair enough: I do like the effect of switching around the rhymes in the octave to be ABBA BAAB. Just, not with those rhymes.)

Valley and musically ... *shakes head*

---L.

Subject quote from "Italy," Samuel Rogers.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Okay, so, you guys who pointed out the aliterative meter of that translation of the Iliad into sonnets? (*cough* [livejournal.com profile] rymenhild *cough* [livejournal.com profile] swan_tower *cough*)

Behold this explicit attempt at an alliterative verse Iliad by F. W. Newman (brother of the more famous cardinal):
Of Peleus’ son, Achilles, sing,     oh goddess, the resentment
Accursed, which with countless pangs     Achaia’s army wounded,
And forward flung to Aïdes     full many a gallant spirit
Of heroes, and their very selves     did toss to dogs that ravin,
And unto every fowl, (for so     would Jove’s device be compass’d);
From that first day when feud arose     implacable, and parted
The son of Atreus, prince of men     and Achileus the godlike.
It's not the Old English meter, as there's (usually) four-then-three beats per hemistich, rather than two, but the alliteration -- it's there. At least he knew to alliterate on any stressed beat, rather than on initial syllables. Yeah, I know -- small comfort that.

Via same list of Homer translations as the sonnets. This was, btw, compiled by a classicist who has his own version, one that going by the opening is not bad.

---L.

Subject quote from "The Iliads of Homer," tr. George Chapman.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Well this is ... interesting.
1. Quarreling.

O Goddess, chant it out, the choler grown
In Peleus' son, aggrieved Achilleus,
Simply deathful, sheerly doleful for
Achaians; wholly numerous warrior souls

It sent to Hades but to dog-throngs down
By Troy and divers birds the corporal dead
In piles it highly proffered, all for prey,
And Zeus’s will thus came to pass outright,

As this began when first Atreyedes,
Monarch of chiliad-lancers, and Achilleus, bright
With God, in breaching1 closed like enemies.
Which of the Gods to rupture in a fight

Provoked them? Leto's son, whom Zeus begot,
For he a fulsome plague on Argives brought.
This being the opening partially-rhymed* sonnet (of 1823) from F. L. Light's translation of the Iliad. That it's not as bad as Hobbes's translation is a very weak defense. Available from Audible and in three volumes covering books 1-8, 9-16, and 17-24.

Found via this list of Homer translations. No thanks necessary.


* Reading on, the dominant rhyme scheme is xaxa xbxb xcxc dd, often slant-rhymed, but the first two stanzas here are just a little too slant for me to hear the chime.


---L.

Subject quote from Macbeth V.5.26-28, William Shakespeare.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Oh dear. Or even, oh dear oh dear:
The claws remain, but worms, wind, rain, and heat
Have sifted out the substance of thy feet.
The lines are bad enough on their own, but as the conclusion of an otherwise passable sonnet? A crashing THUD indeed. And yet I find it anthologized more than once.

(In case you're wondering about his name, yes, he's an older brother of Alfred the Tennyson.)

---L.

Subject quote from "Joseph and His Brethren," Charles Jeremiah Wells.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Wednesday, surfacing from grinding work deadlines to do the reading meme thing:

One again my brain turned from fiction, but this time to poetry: partly piecewise from The Oxford Book of English Verse (1900 edition) and The Home Book of Verse, but mostly Poems of Places -- specifically, the rest of volume 29, covering the western United States (which from the point of view of the very New England Longfellow means "west of the Appalachians").

This means I have finally, finally finished reading this monumental anthology of 4200-odd poems: I first noted it almost four years ago, and hardly touched it this past year and a half. A lot of really good stuff in here, well worth the undertaking, despite some of the glories of very bad poetry also herein.

Speaking of which last, one final example: behold "The Little Lone Grave on the Plains" by John Brayshaw Kaye, which starts off:
Two days had the train been waiting,
Laid off from the forward tramp,
    When the sick child drooped
    And died, and they scooped
Out a little grave near camp.
Its Victorian sentimentality of a dying child is bad enough, but what little affect it might otherwise have gets squeezed out by the limerick stanzas -- slightly hobbled limericks, no less. Also, vultures don't "caw."

---L.

Subject quote from "Kilimandjaro," Bayard Taylor.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Yuletide 2015 brought us no less than five fanfics for Edward Gorey's animated introduction to PBS's Mystery!, which just by itself makes this a pretty good year. Some fics I especially enjoyed and want others to read:

All This Could Be Yours (The Martian) - AU divergence by having Commander Lewis also stranded on Mars. Continues far beyond the book's end to cover the aftereffects back on Earth. Longest fic of the season, and one of the best.

Miss Eleanor Tilney, or The Reluctant Heroine (Northanger Abbey) - Another long novella, retelling canon from Eleanor's POV (with considerable backstory and secret history). Ignore the self-deprecating "tongue-in-cheek" tag as this is a delight through and through, by the author in previous years of Fair Winds and Homeward Sail and Mansfield End (not to mention Rondo Allegro).

This American Life episode 141: A Whole New World. (Transcript) - Ira Glass and Sarah Koenig interview Steve Rogers, Hermione Granger, and Susan Pevensie about stepping from one world into another. Pitch perfect.

Two good character studies of Harriet Vane at Christmas time, both with voices spot-on:

Solitary as an Oyster (Lord Peter Wimsey) - In 1933, when she is still bitter and raw wounds.

Christmas at Duke's Denver (Lord Peter Wimsey) - In 1937, her first with Peter's family.

A Song for Ruatha (Dragonriders of Pern) - Menolly's first journey as a journeywoman Harper, to a hold that is still healing from the damages of the past generation.

A Piece in the Game (Kim) - In 1919, after the Great War, Kim is back in the Great Game, and now as an adult must decide (in the face of the Third Afghanistan War and the Jallianwala Bagh massacre) whether he is a Sahib. Nails the ending.

As far as verse-fics this year, the four are a mixed bag: The Bootlegger is a Prohibition Era rewrite of "The Highwayman" in the original verse form -- highly recommended. The Peggers' Tale is an original fabliau in stanzas, recounting a threesome of Eleanor of Aquitaine, Henry Plantagenet, and a lady-in-waiting, and is as rollicking and filthy as the title and form require. Also containing Henry is 26 December 1170, a Murder in the Cathedral fic in Eliotonian blank verse, in which Thomas gives a Christmas sermon -- I think a missing scene, but I'm not familiar enough with the source to be sure. As for the fourth, on the one hand +1 to the writer of Beowulf: An Adventure of the Missing Years for making King Beowulf (not yet old) face a roc, of all things, and for the valiant attempt at alliterative verse -- on the other, while it starts appropriately heroic, eventually it breaks voice with (half-)lines like "Anyway, the sword died," and then gives up and goes completely silly.

(I have to say, I'm disappointed in the paucity Asian fandoms outside of anime/manga. I should nominate some next year, even if again I don't participate.)

---L.

Subject quote from "Half Asleep," School of Seven Bells.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Oh dear. Oh deary dear. I knew transcendentalist A. Bronson Alcott, now best known as being thinly veiled as the father in Little Women, was not considered a very good writer. I think, however, I've only ever encountered one thoroughly mediocre poem -- or rather, had. Now, thanks to Project Gutenberg for releasing his Sonnets and Canzonets (1882), I can report he was a terrible poet. Not so bad it's hilarious, let alone bad enough to be hard to read aloud -- just plain bad.

I have not delved into the introductory essay yet, but I have high hopes of a barely coherent defense of writing sonnets in this modern age of the late 19th century.

---L.

Subject quote from an incoherent Bronson Alcott sonnet.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
A bit of literary criticism for a warm Wednesday morning:
Two voices are there: one is of the deep;
It learns the storm-cloud's thunderous melody,
Now roars, now murmurs with the changing sea,
Now bird-like pipes, now closes soft in sleep:
And one is of an old half-witted sheep
Which bleats articulate monotony,
And indicates that two and one are three,
That grass is green, lakes damp, and mountains steep:
And, Wordsworth, both are thine: at certain times
Forth from the heart of thy melodious rhymes,
The form and pressure of high thoughts will burst:
At other times -- good Lord! I'd rather be
Quite unacquainted with the A.B.C.
Than write such hopeless rubbish as thy worst.
—James Kenneth Stephen,
pub. 1891, written as a Cambridge undergraduate
Testify, brother.

---L.

Subject quote is the final lines of "On Entering Douglas Bay" by William Wordsworth in his half-witted sheep mode.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
Some more poem-like thingies I've poked at lately:

"Godiva -- A Tale" is the work of John Moultrie, a Cambridge undergraduate at the time -- and his age shows. The poem shows great promise for a writer in the manner of Whistlecraft and Byron's "Beppo," but the satire is neither incisive nor systematic enough, but rather random potshots -- in other words, amusing but thin. Also, it takes a dozen-odd stanzas (after an introduction and invocation) to settle down to said manner. The tale itself is a straight-up telling of the standard Godiva story enlivened by the narrator's digressions. Not great literature but entertaining enough.

I do not know why I keep returning to Robert Southey, given how little I've liked anything he's written. Thalaba the Destroyer is a hot mess, and not in a good way, Madoc is turgid and dull, The Curse of Kehama just plain dull, and "What Are Little Boys Made Of?"* is just plain offensive. This time, I bonked my head on A Tale of Paraguay, the story of the last two survivors of a Guaraní tribe wiped out by smallpox as recorded by a Jesuit missionary. The Spenserian stanzas are handled with more grace and ease than anyone I've read, used to convey a story whose telling is as unappealing as half-frozen mud, and nearly as cold despite repeated appeals to sentimentalism. If you want to study a masterful handling of the form, this may be required sampling, but I cannot in good conscience recommend it to anyone else. DNF.

In progress is Psyche by Mary Tighe, an Irish poet of the generation before Keats who, like him, also died young of TB. I mention him because she is SO obviously an influence on his style -- this reads very much like the Keats of Endymion, with many of the same virtues and flaws (including langorous narrative). If she had lived longer, one wonders how close to the Keats of "St. Agnes Eve" she would have become. Anyway, Tighe follows the classical tale closely till the Big Mistake, but Psyche's trials are redone as allegorical chivalric romance a la Spenser -- for she has taken on not just Spenser's stanza here but much of his method. Or so per commentary -- I haven't reached that yet.

* Yes, Southey is apparently credited with congealing the canonical form of this: see Wikipedia. He also wrote "Goldilocks and the Three Bears."

---L.

Subject quote from "Forest Pictures: Morning," Paul Hamilton Hayne.
larryhammer: floral print origami penguin, facing left (completed)
What I've recently finished since my last post:

Velveteen vs. The Junior Super Patriots and Velveteen vs. The Multiverse by Seanan McGuire - Based on the evidence here, it's a safe assumption that McGuire has read a lot of Marvel Comics. The series embraces both the ludicrousness of certain superhero tropes and the human pain of having to live through them. We approves.

Oku no hosomichi by Bashô, here translated as A Haiku Journey by Dorothy Britton. It's interesting to reread now that I've enough background to catch many (if nowhere near all) of the historical and literary references, especially since said references were much of the point of the journey. The Sendai-Matsushima-Ishinomaki sections also gain poignancy after the 2011 tsunami. As for the translation, the prose is clean, with glosses neatly worked in, but the haiku are, um -- let's be polite and call them disappointing: not only rhymed (except when Britton couldn't pull that off) but padded with material neither in the original nor needed for scene-setting, solely to fill out the syllable count to 5-7-5. As a random sample, natsuyama ni ashida o ogamau kadode kana (roughly, "in the summer mountains, bowing/praying to high clogs -- setting off!") becomes "In the hills, 'tis May. / Bless us, holy shoes, as we / Go upon our way" -- and this is one of the better jobs. Disrecommended -- I'm keeping this edition only because it has the original text.

An Accidental Goddess by Linnea Sinclair, a reread of what is, basically, a fluffy space opera with sufficiently advanced psionics and a romance. The class-cum-species differences of the main couple are handwaved away a little too easily, but otherwise still satisfying.

Mondaiji-tachi ga Isekai kara Kuru Sô Desu yo? ("the problem children come from another world, don't they?") volume 1 by Tarô Tatsunoko - I came in expecting stupid fun, and got it. (The volume titles are amusing: this one is "YES! Rabbit called you!" with the first word in English, the next: "Oh my, a declaration of war from a Demon Lord?") Three inexplicably super-powered Japanese teenagers are "invited" to compete in a power-up tournament in another universe. Despite the pink bunny-girl on the cover (who is indeed described as dressing like that), there's less fanservice stupids than you might fear. Possibly more than you want, but that's a different bar to leap.

Poems of Places volume V, Ireland -- it would not be hard, given this selection, to conclude that the dominant Irish poetic mode is the lament, supplemented by chaste love songs -- or was as of the mid-1870s, anyway. Wales was more heroic, even in grieving over the fallen defeated. Single data points, and all that.

What I'm reading now:

Madan no Ô to Vanadis volume 8 - some battles are more tedious than others. Such as ones without either of the two main characters. OTOH, hello surprise amnesia plot.

Toddler Adoption: The Weaver's Craft by Mary Hopkins-Best, for the usual reasons.

Dramatis Personae by Robert Browning, also for the usual reasons. As usual, I'm finding this somwhat rocky going -- some brilliant poems, some slogs, and some 'oh do shut up already"s. I've also gone back to volume V of The World's Best Poetry, but once past the flowery dump quickly ran into another knot of sentimental poems, this time about animals.

What I might read next:

Mondaiji-tachi v2, just to see whether the all-too-common second-volume curse strikes this one. And, oh I dunno, just possibly some poetry.

---L.
larryhammer: topless woman lying prone with a poem by Sappho painted on her back, label: "Greek poetry is sexy" (classics)
So it turns out that Tennyson wrote another poem about the Battle of Balaclava other than "The Charge of the Light Brigade" -- namely, "The Charge of the Heavy Brigade at Balaclava." It starts:
The charge of the gallant three hundred, the Heavy Brigade!
Down the hill, down the hill, thousands of Russians,
Thousands of horsemen, drew to the valley—and stay’d;
For Scarlett and Scarlett’s three hundred were riding by
When the points of the Russian lances arose in the sky;
And he call’d, ‘Left wheel into line!’ and they wheel’d and obey’d.
Not a high-water mark for poetry as journalism. The Encyclopaedia Britannica notes that "Tennyson’s “Charge of the Heavy Brigade at Balaclava,” never popular, is unknown except to literary scholars" -- and I submit, with good reason.

---L.

Subject quote from "Dance Apocalyptic," Janelle Monae.
larryhammer: floral print origami penguin, facing left (Yotsuba runs)
This weekend is our local science fiction convention (40th year!) which promises to be a lot of fun. My current schedule:

Friday 8 Nov 5pm-5:50pm - Origami workshop ("learn how to fold origami" according to the official description)
Saturday 9 Nov 11am-11:50am - The dynamics of couples in adventure
Saturday 9 Nov 3pm-3:50pm - Don’t even tell them once (letting your audience figure it out for themselves)
Sunday 10 Nov 11am-11:50am - Vogon Poetry (very bad poetry round-robin)

If you're in the area, come on down. There's single-day passes, even. If you can't make it, here's some links to console yourself:

Moray eel feels pretty today. (via)

Bishônen W.B. Yeats, complete with bonus adorable chibis. rot13: Lrf, gung'f n puvov Znhq Tbaar. (via)

Timelapse from the Albuquerque balloon festival. (via)

---L.

Subject quote from "The Golden Legend," Henry Wadsworth Longfellow.

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