larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday, another cat poem from Le Guin:

Black Leonard in Negative Space, Ursula K. Le Guin

All that surrounds the cat
is not the cat, is all
that is not the cat, is all,
is everything, except the animal.
It will rejoin without a seam
when he is dead. To know
that no-space is to know
what he does not, that time
is space for love and pain.
He does not need to know it.


--L.

Subject quote from The Little Prince, Antoine de Saint-Exupéry.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (endings)
For Poetry Monday:

For Leonard, Darko, and Burton Watson, Ursula K. Le Guin

A black and white cat
on May grass waves his tail, suns his belly
among wallflowers.
I am reading a Chinese poet
called The Old Man Who Does As He Pleases.
The cat is aware of the writing
of swallows
on the white sky.
We are both old and doing what pleases us
in the garden. Now I am writing
and the cat
is sleeping.
Whose poem is this?


—L.

Subject quote from Time in a Bottle, Jim Croce.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (endings)
For Poetry Monday, more autumn from an early Modernist:

Leaves, Frederic Manning

A frail and tenuous mist lingers on baffled and intricate branches;
Little gilt leaves are still, for quietness holds every bough;
Pools in the muddy road slumber, reflecting indifferent stars;
Steeped in the loveliness of moonlight is earth, and the valleys,
Brimmed up with quiet shadow, with a mist of sleep.

But afar on the horizon rise great pulses of light,
The hammering of guns, wrestling, locked in conflict
Like brute, stone gods of old struggling confusedly;
Then overhead purrs a shell, and our heavies
Answer, with sudden clapping bruits of sound,
Loosening our shells that stream whining and whimpering precipitately,
Hounding through air athirst for blood.

And the little gilt leaves
Flicker in falling, like waifs and flakes of flame.


Manning (1882-1935) was an Australian-born writer best known for his WWI novels, but he was also a significant Imagist. This is from 1915.

---L.

Subject quote from In August, William Dean Howells.
larryhammer: animation of the kanji for four seasonal birds fading into each other in endless cycle (seasons)
For Poetry Monday, chronologically a little late but still appropriate for this subtropical climate:

November Night, Adelaide Crapsey

Listen …
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.


Crapsey (1878-1914) was a teacher and prosodist as well as poet, and this was first published in her (posthumous) first collection, Verses. The form is a cinquain, a fixed syllabic stanza based on Japanese tanka that she developed in her last year of life, before dying of tuberculosis.

---L.

Subject quote from Windy,” The Association.
larryhammer: text: "space/time OTP: because their love is everything" (spacetime)
For Poetry Monday:

The More Loving One, W.H. Auden

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime
Though this might take me a little time.


From his collection Homage to Clio.

---L.

Subject quote from “Stop all the clocks, cut off the telephone,” W.H. Auden.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

Stills, R.A. Ammons

I have nowhere
to go and

nowhere to go

when I get
back from there.


---L.

Subject quote from The Boxer, Simon & Garfunkel.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

War Is Kind, Stephen Crane

Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

    Hoarse, booming drums of the regiment,
    Little souls who thirst for fight,
    These men were born to drill and die.
    The unexplained glory flies above them,
    Great is the battle-god, great, and his kingdom—
    A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

    Swift, blazing flag of the regiment,
    Eagle with crest of red and gold,
    These men were born to drill and die.
    Point for them the virtue of slaughter,
    Make plain to them the excellence of killing
    And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.


Crane knew how to write creepy af.

---L.

Subject quote from The Court of the Crimson King, King Crimson.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday, a more famous desert poem also from Crane’s first collection:

In the desert,” Stephen Crane

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”


Crane was a little too early to be a Modernist (as a prose writer, he was part of the pre-modern Realist and Naturalist movements, not that I can tell the difference between those), but he was a strong proximate influence on especially the Imagists.

---L.

Subject quote from How to Save a Life, The Fray.
larryhammer: canyon landscape with saguaro and mesquite trees (desert)
For Poetry Monday:

I walked in a desert,” Stephen Crane

I walked in a desert.
And I cried,
“Ah, God, take me from this place!”
A voice said, “It is no desert.”
I cried, “Well, But—
The sand, the heat, the vacant horizon.”
A voice said, “It is no desert.”


From his 1895 collection The Black Rider & Other Lines, published when he was 23.

---L.

Subject quote from Sprawl II, Arcade Fire.
larryhammer: Yotsuba Koiwai running, label: "enjoy everything" (enjoy everything)
Book meme via [personal profile] naraht and others: The Seven Deadly Sins of Reading —

Lust, books I want to read for their cover:
- The Moonlight Mistress, Victoria Janssen
- The Beauty’s Blade, Feng Ren Zuo Shu
- Heavenly Tyrant, Xiran Jay Zhao

Pride, challenging books I’ve finished:
- Gödel, Escher, Bach, Douglas Hofstadter
- Gravitation and Cosmology, Steven Weinberg
- 古今和歌集 (in the original)

Gluttony, books I’ve read more than once:
- Persuasion, Jane Austen (and the rest of Austen, but that the most)
- The Unknown Ajax, Georgette Heyer (and several other Heyer, but that the most)
- Protector of the Small, Tamora Pierce (and Circle of Magic, but that the most)
- Always Coming Home, Ursula K. Le Guin (and several other Le Guin, but that the most)
(and many many more …)

Sloth, books on my to-read list the longest:
- The Brothers Karamazov, Fyodor Dostoevsky
- Tractatus Logico-Philosophicus, Ludwig Wittgenstein
- Titus Alone, Mervyn Peake

Greed, books I own multiple editions of:
(not counting multiple translations of the same work)
- Pride and Prejudice, Jane Austen
- Just So Stories, Rudyard Kipling
- The Lord of the Rings, J. R. R. Tolkien

Wrath, books I despised:
- The Jade Mountain, tr. Witter Bynner
- A Hundred Verses from Old Japan, tr. William Porter
- Outlaws of the Marsh / Water Margin

Envy, books I want to live in:
- Always Coming Home, Ursula K. Le Guin
- Annals of the Former World, John McPhee
- Thirty-six Views of Mount Fuji, Hokusai

Actually, just replace the other two with Always Coming Home a few more times.

---L.

Subject quote from I Want You, Savage Garden.
larryhammer: floral print origami penguin, facing left (Default)
For Poetry Monday:

This is the first thing,” Philip Larkin

This is the first thing
I have understood:
Time is the echo of an axe
Within a wood.


I assume he means both senses of wood.

---L.

Subject quote from I Can’t Stop Loving You, Ray Charles.
larryhammer: floral print origami penguin, facing left (Default)
For Poetry Monday:

Fall, leaves, fall,” Emily Bronte

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.


Contrast with Hopkins’ Spring and Fall. Seriously—hold them both close. It’s worth it.

---L.

Subject quote from Paint It, Black, The Rolling Stones.
larryhammer: drawing of a wildhaired figure dancing, label: "La!" (dancing)
For Poetry Monday:

Down, Wanton, Down!, Robert Graves

Down, wanton, down! Have you no shame
That at the whisper of Love’s name,
Or Beauty’s, presto! up you raise
Your angry head and stand at gaze?

Poor Bombard-captain, sworn to reach
The ravelin and effect a breach—
Indifferent what you storm or why,
So be that in the breach you die!

Love may be blind, but Love at least
Knows what is man and what mere beast;
Or Beauty wayward, but requires
More delicacy from her squires.

Tell me, my witless, whose one boast
Could be your staunchness at the post,
When were you made a man of parts
To think fine and profess the arts?

Will many-gifted Beauty come
Bowing to your bald rule of thumb,
Or Love swear loyalty to your crown?
Be gone, have done! Down, wanton, down!


Graves (1895-1985) was a poet, novelist, and eccentric mythographer. This is from his collection Poems 1930-1933.

---L.

Subject quote from Forever, CHVRCHES.
larryhammer: a symbol used in a traditional Iceland magic spell of protection (icon of awe)
For Poetry Monday, some self-indulgence. Cut for length:

Cathedral Close, Larry Hammer

Too close, and you see nothing—old
        pale limestone, quarried
    with smoothness rocks forget
and fleck to worn grains, weather-worried
        and rough to hold
    against your palm. And yet

too far, you see too little )


First drafted in my mid-twenties after hiking through slot gorges in Canyonlands National Park, based on memories of growing up a 10 minute walk from the National Cathedral in Washington, DC, and revised over the next decade (after a visit to confirm details).

---L.

Subject quote from Best Guess, Lucy Dacus.
larryhammer: a symbol used in a traditional Iceland magic spell of protection (icon of awe)
For Poetry Monday:

Prayer (I), George Herbert

Prayer the church’s banquet, angel’s age,
God's breath in man returning to his birth,
The soul in paraphrase, heart in pilgrimage,
The Christian plummet sounding heav’n and earth
Engine against th’ Almighty, sinner’s tow’r,
Reversed thunder, Christ-side-piercing spear,
The six-days world transposing in an hour,
A kind of tune, which all things hear and fear;
Softness, and peace, and joy, and love, and bliss,
Exalted manna, gladness of the best,
Heaven in ordinary, man well drest,
The milky way, the bird of Paradise,
Church-bells beyond the stars heard, the soul’s blood,
The land of spices; something understood.


Sonnet the verbless vivid. Published in 1633 in The Temple, Herbert’s only collection, as just “Prayer,” the first of a couple poems with that title, thus the commonly added (I). That last semicolon (which in modern practice would probably be a colon) is pulling an amazing amount of weight.

---L.

Subject quote from Bridge Over Troubled Water, Simon & Garfunkel, which is just as much a hymn.
larryhammer: a symbol used in a traditional Iceland magic spell of protection (protection)
For Poetry Monday:

Fairy-tale Logic, A.E. Stallings

Fairy tales are full of impossible tasks:
Gather the chin hairs of a man-eating goat,
Or cross a sulphuric lake in a leaky boat,
Select the prince from a row of identical masks,
Tiptoe up to a dragon where it basks
And snatch its bone; count dust specks, mote by mote,
Or learn the phone directory by rote.
Always it’s impossible what someone asks—

You have to fight magic with magic. You have to believe
That you have something impossible up your sleeve,
The language of snakes, perhaps, an invisible cloak,
An army of ants at your beck, or a lethal joke,
The will to do whatever must be done:
Marry a monster. Hand over your firstborn son.


First published in the March 2010 issue of Poetry. Stallings remains the poet my age I most admire. I am struck by how the examples from the octave are all from European folklore, while those of the second are from Greek Mythology (with the last common to both domains).

---L.

Subject quote from Best Guess, Lucy Dacus.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

I Sit and Sew, Alice Dunbar Nelson

I sit and sew—a useless task it seems,
My hands grown tired, my head weighed down with dreams—
The panoply of war, the martial tread of men,
Grim-faced, stern-eyed, gazing beyond the ken
Of lesser souls, whose eyes have not seen Death,
Nor learned to hold their lives but as a breath—
But—I must sit and sew.

I sit and sew—my heart aches with desire—
That pageant terrible, that fiercely pouring fire
On wasted fields, and writhing grotesque things
Once men. My soul in pity flings
Appealing cries, yearning only to go
There in that holocaust of hell, those fields of woe—
But—I must sit and sew.

The little useless seam, the idle patch;
Why dream I here beneath my homely thatch,
When there they lie in sodden mud and rain,
Pitifully calling me, the quick ones and the slain?
You need me, Christ! It is no roseate dream
That beckons me—this pretty futile seam,
It stifles me—God, must I sit and sew?


Alice Ruth Moore was born in 1875 in New Orleans to mixed-race parents, and is better known today as a journalist and activist than for her poetry and fiction, or for that matter for being a teacher. Her first husband was poet and novelist Paul Lawrence Dunbar (married 1898-1906, when he died, though she left him in 1902 for being abusive) and her third was journalist and activist Robert J. Nelson (married 1914-1935, when she died).

---L.

Subject quote from War Pigs, Black Sabbath.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

when the proficient poison sure sleep,” e. e. cummings

when the proficient poison sure sleep
bereaves us of our slow tranquillities

and He without Whose favour nothing is
(being of men called Love) upward doth leap
from the mute hugeness of depriving deep,

with thunder of those hungering wings of His,

into the lucent and large signories
—i shall not smile beloved;i shall not weep:

when from the less-then-whiteness of thy face
(whose eyes inherit vacancy) will time
extract his inconsiderable doom,
when these they lips beautifully embrace
nothing
            and when thy bashful hands assume

silence beyond the mystery of rhyme


First published in XLI Poems in 1925, in a section of sonnets.

---L.

Subject quote from We Belong, Pat Benatar.
larryhammer: pen-and-ink drawing of an annoyed woman dressed as a Heian-era male courtier saying "......" (argh)
For Poetry Monday:

Betrayed, Labi Siffre

To despise your government
To distrust your government
To be unable to respect your government
To know the leader of your country has contempt
for the people of your country
To be angered
not because it’s “Not in my name”
but because it IS in my name


Siffre is a British singer and songwriter who posted this on his blog on 7 Mar 2022 .

---L.

Subject quote from Rhythm Nation, Janet Jackson. Both song and video slap hard.
larryhammer: floral print origami penguin, facing left (Default)
For Poetry Monday:

What the Bullet Sang, Bret Harte

O joy of creation
        To be!
O rapture to fly
        And be free!
Be the battle lost or won,
Though its smoke shall hide the sun,
I shall find my love,—the one
        Born for me!

I shall know him where he stands,
        All alone,
With the power in his hands
        Not o’erthrown;
I shall know him by his face,
By his godlike front and grace;
I shall hold him for a space,
        All my own!

It is he—O my love!
        So bold!
It is I—all thy love
        Foretold!
It is I. O love! what bliss!
Dost thou answer to my kiss?
O sweetheart! what is this
        Lieth there so cold?


Harte (1836-1902) is best known today for his short stories of the California Gold Rush, rather than his novels, essays, or poetry, but this one still shows up in anthologies from time to time.

---L.

Subject quote from On Grafton Street, Nanci Griffith.

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