larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

The evening darkens over,” Robert Bridges

The evening darkens over
After a day so bright
The windcapt waves discover
That wild will be the night.
There’s sound of distant thunder.

The latest sea-birds hover
Along the cliff’s sheer height;
As in the memory wander
Last flutterings of delight,
White wings lost on the white.

There’s not a ship in sight;
And as the sun goes under
Thick clouds conspire to cover
The moon that should rise yonder.
Thou art alone, fond lover.


While Bridges was Poet Laureate 1913-30, I confess I mostly think of him as Hopkins’s university friend and literary executor.

---L.

Subject quote from The First Time Ever I Saw Your Face, written by Ewan MacColl, sung by Peggy Seeger. (Roberta Flack covered it later.)
larryhammer: a woman wearing a chain mail hoodie, label: "chain mail is sexy" (chain mail is sexy)
For Poetry Monday:

She Says, Being Forbidden:, Leonora Speyer

And was there not a king somewhere who said:
“Back, waves! I do command you!” I forget
His name, beloved, or his race, and yet
I know the story and am comforted.
The tides will rise, are rising—see, they spread
About your robes, your ermine will be wet,
Your velvet shoes, your dear dear feet! Ah let
Me warn you, sir, the waves will reach your head!

My king, my kingly love, how shall we stay
The bold broad lifting of this lovely sea?
What is the master word that we must say
To bring these roaring waters to the knee?
The other king went scampering away!
Will you so do? Or will you drown with me?


Hat-tip to [personal profile] conuly. Ah, Cnut, we hardly recall ye. This is from Speyer’s 1926 collection Fiddler’s Farewell, which won the Pulitzer Prize for Poetry.

---L.

Subject quote from Respect, Aretha Franklin.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

The Llano Estacado, John Poch

How much soil do you plow to soothe a conscience?
If you’re a staked plains, dry-land, long view man:
a sky’s worth. Some even sow the dry playa
mid-summer with sorghum, the cotton plowed under
after early hail. Thus, not every farmer keeps
an old broken homestead sacred as a graveyard.
Today, no Sharpshin on a pivot for an omen,
no stoic farmer on a turn-row changing water.

Among a little wind grit, in a grid on a grid, somewhere
like the crossroads of outer space and Earth, Texas,
a handful of ragged elms withstand a long sway
of heat and wind. These old guards of a home haunt
the field but wither even as ghosts must. Honor them
with a walk among homesick bricks, and prophesy good.


First published in Poetry issue July/August 2009. The Llano Estacado is a large mesa/plateau in west Texas and easternmost New Mexico, extending from Amarillo through Lubbock and down to Odessa. The name is often translated as “staked plain,” with a folk etymologies explaining that its dry grassland is so featureless that Native Americans supposedly put up markers to guide their way (and Coronado famously did find it confusing), but the actual origin is probably “stockaded/palisaded plain,” referring to the escarpments of its eastern and western edges. The sharp-shinned hawk is a common small hawk of the region. The elms, which are not native, would have been grown by a former homesteader by irrigation from wells.

---L.

Subject quote from Dreams, Fleetwood Mac.
larryhammer: animation of the kanji for four seasonal birds fading into each other in endless cycle (seasons)
For Poetry Monday:

The Night Sky, Mary Webb

The moon, beyond her violet bars,
From towering heights of thunder-cloud,
Sheds calm upon our scarlet wars,
To soothe a world so small, so loud.
And little clouds like feathered spray,
Like rounded waves on summer seas,
Or frosted panes on a winter day,
Float in the dark blue silences.
Within their foam, transparent, white,
Like flashing fish the stars go by
Without a sound across the night.
In quietude and secrecy
The white, soft lightnings feel their way
To the boundless dark and back again,
With less stir than a gnat makes
In its little joy, its little pain.


(Hat tip to [personal profile] cmcmck.) Webb was a novelist and poet best known today as one of the authors parodied by Cold Comfort Farm.

---L.

Subject quote from Someone You Loved, Lewis Capaldi.
larryhammer: floral print origami penguin, facing left (Default)
For Poetry Monday:

Tired, Langston Hughes

I am so tired of waiting.
Aren’t you,
For the world to become good
And beautiful and kind?
Let us take a knife
And cut the world in two—
And see what worms are eating
At the rind.


---L.

Subject quote from Vuelvo al Sur, Astor Piazzolla & Fernando Solanas, though I confess I prefer the Gotan Project cover.
larryhammer: a symbol used in a traditional Iceland magic spell of protection (protection)
For Poetry Monday:

No Such Thing As the Innocent Bystander, Andrea Gibson

Silence rides shotgun
wherever hate goes.


---L.

Subject quote from The Sounds of Silence, Simon & Garfunkel.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (vanished)
For Poetry Monday Tuesday (because spent yesterday hiking in the mountains), another Francis:

Hallelujah: A Sestina, Robert Francis

A wind’s word, the Hebrew Hallelujah.
I wonder they never gave it to a boy
(Hal for short) boy with wind-wild hair.
It means Praise God, as well it should since praise
Is what God’s for. Why didn’t they call my father
Hallelujah instead of Ebenezer?

Eben, of course, but christened Ebenezer,
Product of Nova Scotia (hallelujah).
Daniel, a country doctor, was his father
And my father his tenth and final boy.
A baby and last, he had a baby’s praise:
Red petticoats, red cheeks, and crow-black hair.

A boy has little to say about his hair
And little about a name like Ebenezer
Except that you can shorten either. Praise
God for that, for that shout Hallelujah.
Shout Hallelujah for everything a boy
Can be that is not his father or grandfather.

But then, before you know it, he is a father
Too and passing on his brand of hair
To one more perfectly defenseless boy,
Dubbing him John or James or Ebenezer
But never, so far as I know, Hallelujah,
As if God didn’t need quite that much praise.

But what I’m coming to; Could I ever praise
My father half enough for being a father
Who let me be myself? Sing Hallelujah.
Preacher he was with a prophet’s head of hair
And what but a prophet’s name was Ebenezer,
However little I guessed it as a boy?

Outlandish names of course are never a boy’s
Choice. And it takes some time to learn to praise.
Stone of Help is the meaning of Ebenezer.
Stone of Help; what fitter name for my father?
Always the Stone of Help however his hair
Might graduate from black to Hallelujah.

Such is the old drama of boy and father.
Praise from a grayhead now with thinning hair.
Sing Ebenezer, Robert, sing Hallelujah!

---L.

Subject quote from Don't You (Forget About Me), Simple Minds.
larryhammer: animation of the kanji for four seasonal birds fading into each other in endless cycle (seasons)
For Poetry Monday:

Blue Winter, Robert Francis

Winter uses all the blues there are.
One shade of blue for water, one for ice,
Another blue for shadows over snow.
The clear or cloudy sky uses blue twice—
Both different blues. And hills row after row
Are colored blue according to how far.
You know the bluejay’s double-blue device
Shows best when there are no green leaves to show.
And Sirius is a winterbluegreen star.


Francis (1901-1987) was a New Englander who as a young poet had a very Frost-ian voice, though he later developed his own.

---L.

Subject quote from Once in a Lifetime, Talking Heads.
larryhammer: pen-and-ink drawing of an annoyed woman dressed as a Heian-era male courtier saying "......" (annoyed)
For Poetry Monday, something I think is a repeat but can handle a repost:

Ancient Music, Ezra Pound

Winter is icummen in,
Lhude sing Goddamm,
Raineth drop and staineth slop,
And how the wind doth ramm!
              Sing: Goddamm.
Skiddeth bus and sloppeth us,
An ague hath my ham.
Freezeth river, turneth liver,
              Damn you, sing: Goddamm.
Goddamm, Goddamm, ’tis why I am, Goddamm,
              So ’gainst the winter’s balm.
Sing goddamm, damm, sing goddamm.
Sing goddamm, sing goddamm, DAMM.


Parody ofc of the Middle English round “Sumer is icumen in.”

---L.

Subject quote from Baker Street, Gerry Rafferty.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday, another cat poem from Le Guin:

Black Leonard in Negative Space, Ursula K. Le Guin

All that surrounds the cat
is not the cat, is all
that is not the cat, is all,
is everything, except the animal.
It will rejoin without a seam
when he is dead. To know
that no-space is to know
what he does not, that time
is space for love and pain.
He does not need to know it.


--L.

Subject quote from The Little Prince, Antoine de Saint-Exupéry.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (endings)
For Poetry Monday:

For Leonard, Darko, and Burton Watson, Ursula K. Le Guin

A black and white cat
on May grass waves his tail, suns his belly
among wallflowers.
I am reading a Chinese poet
called The Old Man Who Does As He Pleases.
The cat is aware of the writing
of swallows
on the white sky.
We are both old and doing what pleases us
in the garden. Now I am writing
and the cat
is sleeping.
Whose poem is this?


—L.

Subject quote from Time in a Bottle, Jim Croce.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (endings)
For Poetry Monday, more autumn from an early Modernist:

Leaves, Frederic Manning

A frail and tenuous mist lingers on baffled and intricate branches;
Little gilt leaves are still, for quietness holds every bough;
Pools in the muddy road slumber, reflecting indifferent stars;
Steeped in the loveliness of moonlight is earth, and the valleys,
Brimmed up with quiet shadow, with a mist of sleep.

But afar on the horizon rise great pulses of light,
The hammering of guns, wrestling, locked in conflict
Like brute, stone gods of old struggling confusedly;
Then overhead purrs a shell, and our heavies
Answer, with sudden clapping bruits of sound,
Loosening our shells that stream whining and whimpering precipitately,
Hounding through air athirst for blood.

And the little gilt leaves
Flicker in falling, like waifs and flakes of flame.


Manning (1882-1935) was an Australian-born writer best known for his WWI novels, but he was also a significant Imagist. This is from 1915.

---L.

Subject quote from In August, William Dean Howells.
larryhammer: animation of the kanji for four seasonal birds fading into each other in endless cycle (seasons)
For Poetry Monday, chronologically a little late but still appropriate for this subtropical climate:

November Night, Adelaide Crapsey

Listen …
With faint dry sound,
Like steps of passing ghosts,
The leaves, frost-crisp’d, break from the trees
And fall.


Crapsey (1878-1914) was a teacher and prosodist as well as poet, and this was first published in her (posthumous) first collection, Verses. The form is a cinquain, a fixed syllabic stanza based on Japanese tanka that she developed in her last year of life, before dying of tuberculosis.

---L.

Subject quote from Windy,” The Association.
larryhammer: text: "space/time OTP: because their love is everything" (spacetime)
For Poetry Monday:

The More Loving One, W.H. Auden

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime
Though this might take me a little time.


From his collection Homage to Clio.

---L.

Subject quote from “Stop all the clocks, cut off the telephone,” W.H. Auden.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

Stills, R.A. Ammons

I have nowhere
to go and

nowhere to go

when I get
back from there.


---L.

Subject quote from The Boxer, Simon & Garfunkel.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday:

War Is Kind, Stephen Crane

Do not weep, maiden, for war is kind.
Because your lover threw wild hands toward the sky
And the affrighted steed ran on alone,
Do not weep.
War is kind.

    Hoarse, booming drums of the regiment,
    Little souls who thirst for fight,
    These men were born to drill and die.
    The unexplained glory flies above them,
    Great is the battle-god, great, and his kingdom—
    A field where a thousand corpses lie.

Do not weep, babe, for war is kind.
Because your father tumbled in the yellow trenches,
Raged at his breast, gulped and died,
Do not weep.
War is kind.

    Swift, blazing flag of the regiment,
    Eagle with crest of red and gold,
    These men were born to drill and die.
    Point for them the virtue of slaughter,
    Make plain to them the excellence of killing
    And a field where a thousand corpses lie.

Mother whose heart hung humble as a button
On the bright splendid shroud of your son,
Do not weep.
War is kind.


Crane knew how to write creepy af.

---L.

Subject quote from The Court of the Crimson King, King Crimson.
larryhammer: a wisp of colored smoke, label: "softly and suddenly vanished away" (disappeared)
For Poetry Monday, a more famous desert poem also from Crane’s first collection:

In the desert,” Stephen Crane

In the desert
I saw a creature, naked, bestial,
Who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter—bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”


Crane was a little too early to be a Modernist (as a prose writer, he was part of the pre-modern Realist and Naturalist movements, not that I can tell the difference between those), but he was a strong proximate influence on especially the Imagists.

---L.

Subject quote from How to Save a Life, The Fray.
larryhammer: canyon landscape with saguaro and mesquite trees (desert)
For Poetry Monday:

I walked in a desert,” Stephen Crane

I walked in a desert.
And I cried,
“Ah, God, take me from this place!”
A voice said, “It is no desert.”
I cried, “Well, But—
The sand, the heat, the vacant horizon.”
A voice said, “It is no desert.”


From his 1895 collection The Black Rider & Other Lines, published when he was 23.

---L.

Subject quote from Sprawl II, Arcade Fire.
larryhammer: Yotsuba Koiwai running, label: "enjoy everything" (enjoy everything)
Book meme via [personal profile] naraht and others: The Seven Deadly Sins of Reading —

Lust, books I want to read for their cover:
- The Moonlight Mistress, Victoria Janssen
- The Beauty’s Blade, Feng Ren Zuo Shu
- Heavenly Tyrant, Xiran Jay Zhao

Pride, challenging books I’ve finished:
- Gödel, Escher, Bach, Douglas Hofstadter
- Gravitation and Cosmology, Steven Weinberg
- 古今和歌集 (in the original)

Gluttony, books I’ve read more than once:
- Persuasion, Jane Austen (and the rest of Austen, but that the most)
- The Unknown Ajax, Georgette Heyer (and several other Heyer, but that the most)
- Protector of the Small, Tamora Pierce (and Circle of Magic, but that the most)
- Always Coming Home, Ursula K. Le Guin (and several other Le Guin, but that the most)
(and many many more …)

Sloth, books on my to-read list the longest:
- The Brothers Karamazov, Fyodor Dostoevsky
- Tractatus Logico-Philosophicus, Ludwig Wittgenstein
- Titus Alone, Mervyn Peake

Greed, books I own multiple editions of:
(not counting multiple translations of the same work)
- Pride and Prejudice, Jane Austen
- Just So Stories, Rudyard Kipling
- The Lord of the Rings, J. R. R. Tolkien

Wrath, books I despised:
- The Jade Mountain, tr. Witter Bynner
- A Hundred Verses from Old Japan, tr. William Porter
- Outlaws of the Marsh / Water Margin

Envy, books I want to live in:
- Always Coming Home, Ursula K. Le Guin
- Annals of the Former World, John McPhee
- Thirty-six Views of Mount Fuji, Hokusai

Actually, just replace the other two with Always Coming Home a few more times.

---L.

Subject quote from I Want You, Savage Garden.
larryhammer: floral print origami penguin, facing left (Default)
For Poetry Monday:

This is the first thing,” Philip Larkin

This is the first thing
I have understood:
Time is the echo of an axe
Within a wood.


I assume he means both senses of wood.

---L.

Subject quote from I Can’t Stop Loving You, Ray Charles.

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