"What can this world more afford / Than a lass who will sociably sit on my knee?"

[larryhammer]

The internets continues to have more cool things --

More world music: Debashish Bhattacharya plays Indian classical music on (modified) Hawaiian slide guitar: Calcutta Slide Guitar volume 3. Sah-weeeet. (via)

More flight: footage from a cam strapped to the back of an eagle soaring in the Alps. Stunning. (via)

More questions: Why are there so many medieval illuminations of knights fighting snails? THIS IS IMPORTANT YOU KNOW. (via)

What goodness have you across lately?

Subject quote from "The Wine Vault" by George Alexander Stevens, who apparently didn't appreciate cabana boys.

---L.

Comments

Re: Fighting the snail

[mount-oregano.livejournal.com]

"Towards the end of the 12th century the quasi-monopoly of the church over teaching began to weaken, and the secular scribes, who were collaborating with the monks, began to organize themselves into guilds and workshops. They drafted official documents for the new merchant bourgeoisie, and they also wrote books.

"Until then the issuing of books had been the exclusive domain of the nobility and the clergy; luxury works for the former and missals and theological manuals for the latter comprised the total output of book production. This output was now expanded with new works; treatises on philosophy, logic, mathematics, and astronomy all began to appear, while authors such as Dante began to write in their own tongue, thus reaching a much wider public, who were educated, although unable to read Latin. For the first time, the middle classes had access to literature and to books.

"In order to cope with this new demand, the number of scribal workshops increased, and production diversified. From now on, books of all sorts appeared -- cookbooks, educational books, medical manuals, books on astronomy, even novels. Tales of courtly love, such as 'The Song of Roland,' were much sought after. The client chose the calligraphic style and the type of illustration by visiting different workshops, or more commonly by dealing with a book supplier who acted as an intermediary."

From "Writing: The Story of Alphabets and Scripts" by Georges Jean