larryhammer: floral print origami penguin, facing left (Yotsuba runs)
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The internets continues to have more cool things --

More world music: Debashish Bhattacharya plays Indian classical music on (modified) Hawaiian slide guitar: Calcutta Slide Guitar volume 3. Sah-weeeet. (via)

More flight: footage from a cam strapped to the back of an eagle soaring in the Alps. Stunning. (via)

More questions: Why are there so many medieval illuminations of knights fighting snails? THIS IS IMPORTANT YOU KNOW. (via)

What goodness have you across lately?

Subject quote from "The Wine Vault" by George Alexander Stevens, who apparently didn't appreciate cabana boys.

---L.

Re: Fighting the snail

Date: 6 October 2013 08:30 pm (UTC)
From: [identity profile] mount-oregano.livejournal.com
Most manuscripts were created by professional manuscript scribes and artists, not monks. They probably all gardened because everyone did, but other gardening jokes don't show up with frequency -- unless you count nuns collecting penises from the penis trees. (I am not making this up. I have not explanation for that joke, but I do for the snails.)

The knights vs. snails is a recurring motif because snails are armored just like knights, so it's logical that they should fight because what could be funnier?

Medieval humor was weird.

Re: Fighting the snail

Date: 7 October 2013 06:54 am (UTC)
From: [identity profile] thistleingrey.livejournal.com
Medieval humor was weird, agreed. "Most manuscripts" when and where? I've done some work on the first MS in the linked post, and the other manuscripts in which its text appears are fairly evenly split between monastic and non-monastic production--aside from the question of whether some monasteries encouraged some monks to specialize as scribes/artists, which does seem to have been the case. If "professional" means only that they were paid for their work by a commissioning patron, then perhaps the monks weren't pros, but that seems orthogonal to expertise.

Re: Fighting the snail

Date: 7 October 2013 05:45 pm (UTC)
From: [identity profile] mount-oregano.livejournal.com
"Towards the end of the 12th century the quasi-monopoly of the church over teaching began to weaken, and the secular scribes, who were collaborating with the monks, began to organize themselves into guilds and workshops. They drafted official documents for the new merchant bourgeoisie, and they also wrote books.

"Until then the issuing of books had been the exclusive domain of the nobility and the clergy; luxury works for the former and missals and theological manuals for the latter comprised the total output of book production. This output was now expanded with new works; treatises on philosophy, logic, mathematics, and astronomy all began to appear, while authors such as Dante began to write in their own tongue, thus reaching a much wider public, who were educated, although unable to read Latin. For the first time, the middle classes had access to literature and to books.

"In order to cope with this new demand, the number of scribal workshops increased, and production diversified. From now on, books of all sorts appeared -- cookbooks, educational books, medical manuals, books on astronomy, even novels. Tales of courtly love, such as 'The Song of Roland,' were much sought after. The client chose the calligraphic style and the type of illustration by visiting different workshops, or more commonly by dealing with a book supplier who acted as an intermediary."

From "Writing: The Story of Alphabets and Scripts" by Georges Jean

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