Wonderment! Wonderment, I tell you.
Howard Pyle is best known today as the founder of the Brandywine School of artists, and as such the teacher of N.C. Wyeth among others. In his day, he was a bestselling author of pirate histories and novels in medieval settings, and his retelling of the Robin Hood stories, the first to rework the ballads into a unified cycle, remains in print today (all too often without his illustrations, to which I say, Prtt!). But what I grew up on was his fairy tales, rereading them to the point that they are etched into hindbrain as deeply as Just So Stories as exemplifying how wonder stories ought to be told. My first published story is one written in a Pyle-pastiche voice, and it's not the only one I've written. Pepper & Salt is the book of my boyish heart, but The Wonder Clock was also a treasure. And still is.
So imagine, if you will, my astonishment and delight to discover Twilight Land, a collection of tales I had never heard of. The structural conceit of this one is that each story is told in Mother Goose's taproom by a public domain character from another traditional wonder tale, such as Cinderella, the seven-at-one-blow tailor, and so on. Which provides an interesting perspective and commentary on the original stories, as well.
But enough -- if you'll pardon me, I have some wonder to repeatedly immerse myself in. Or, wonderment.
---L.
Howard Pyle is best known today as the founder of the Brandywine School of artists, and as such the teacher of N.C. Wyeth among others. In his day, he was a bestselling author of pirate histories and novels in medieval settings, and his retelling of the Robin Hood stories, the first to rework the ballads into a unified cycle, remains in print today (all too often without his illustrations, to which I say, Prtt!). But what I grew up on was his fairy tales, rereading them to the point that they are etched into hindbrain as deeply as Just So Stories as exemplifying how wonder stories ought to be told. My first published story is one written in a Pyle-pastiche voice, and it's not the only one I've written. Pepper & Salt is the book of my boyish heart, but The Wonder Clock was also a treasure. And still is.
So imagine, if you will, my astonishment and delight to discover Twilight Land, a collection of tales I had never heard of. The structural conceit of this one is that each story is told in Mother Goose's taproom by a public domain character from another traditional wonder tale, such as Cinderella, the seven-at-one-blow tailor, and so on. Which provides an interesting perspective and commentary on the original stories, as well.
But enough -- if you'll pardon me, I have some wonder to repeatedly immerse myself in. Or, wonderment.
---L.
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Date: 5 December 2011 02:43 pm (UTC)no subject
Date: 5 December 2011 03:32 pm (UTC)no subject
Date: 5 December 2011 04:28 pm (UTC)no subject
Date: 5 December 2011 04:59 pm (UTC)---L.
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Date: 5 December 2011 05:02 pm (UTC)Thank you.
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Date: 5 December 2011 05:48 pm (UTC)---L.
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Date: 8 December 2011 09:07 am (UTC)no subject
Date: 8 December 2011 02:47 pm (UTC)As for the grittier, in general, this collection is more pessimistic about human nature than his others -- and the frame narrative even lampshades this, with audience commenting on how grim some of the stories are -- while still maintaining the needed light tone. It is rather startling.
---L.