larryhammer: floral print origami penguin, facing left (frivolity)
[personal profile] larryhammer
So last weekend, my local science fiction convention allowed me to host another round-robin bad poetry reading, and you can tell the programming person is a genius because he's the one who decided to call it "Vogon Poetry." I wish I'd thought of that, and will henceforth steal use it when I propose this to other cons.

A good, or at least hilarity-filled, time was had by all. On the menu this year:


The McGonagall, Marzials, and McIntyre poems were all suitably disasterous, usually taking 4-5 people to get through each one. The Newman and Tupper were bad, but not bad in the right way.

As for my own effort, I now have empirical evidence that it is nowhere near as bad as the true masters before it. It isn't anything approaching good, but it's not wretched in that painful-to-recite sort of way. I am, it seems, simply not that skilled at misfiring language. Sorry, [livejournal.com profile] stevendj.

Date: 17 November 2011 03:41 pm (UTC)
From: [identity profile] mme-hardy.livejournal.com
I wish to represent for the female bad poets, including many fine Americans.

Date: 17 November 2011 03:59 pm (UTC)
From: [identity profile] mme-hardy.livejournal.com
I think we have both agreed on the importance of the Not the Norton Anthology of Poetry in these situations, right? *

* Note: I am parodying myself being an angry feminist. If I am simply being a jerk, feel free to tell me so.

Date: 17 November 2011 04:20 pm (UTC)
From: [identity profile] sartorias.livejournal.com
Oooh, is there a market for bad poetry? I have all my juvenile stuff!

Date: 17 November 2011 04:31 pm (UTC)
sovay: (Morell: quizzical)
From: [personal profile] sovay
On the menu this year

. . . I am very impressed that no one died.

Date: 17 November 2011 04:35 pm (UTC)
From: [identity profile] thistleingrey.livejournal.com
I'm not clicking through at the moment, but augh, yes, McGonagall is pretty awful.

Date: 17 November 2011 05:10 pm (UTC)
sovay: (Morell: quizzical)
From: [personal profile] sovay
It's hard to read this stuff with a straight face.

I have tried with McGonagall. It's really amazing.

Date: 17 November 2011 05:18 pm (UTC)
From: [identity profile] movingfinger.livejournal.com
McGonagall is such an easy and well-known target, he should be excluded (or given his own reading).

Date: 17 November 2011 05:25 pm (UTC)
From: [identity profile] sartorias.livejournal.com
From the reviews, they are unremarkable. Some day I have to type up some of my best stinkers, which at least make ME laugh from their terribleness. (It could be one of those "I'm my own best audience" situations, though.)

Date: 17 November 2011 07:06 pm (UTC)
From: [identity profile] movingfinger.livejournal.com
By the way, and only marginally related to poetry. I went to Xerxes (aka Serse or if you're a little immature and down on the title character, as I was afterward, Jerkses) last night, and very quickly began thinking that this work, this libretto at least, offers rich material for you. It has:

-Xerxes, kind of a jerk, and the king
-Arsamenes, not such a jerk most of the time, his brother, who is in love with
-Romilda, who is in love with Arasamenes, who is presented as a bit of a flirt, and who flirts a bit with Xerxes in Act 1 Sc i, so that he resolves to marry her, which suits
-Atalanta, Romilda's sister, just fine, as she wants Arsamenes for herself.

The sisters' father is Ariodate[s], Xerxes' number one general, a baritone in curled wig, scarlet coat, and riding boots. [Emphatically NOT TO BE CONFUSED WITH ARIODANTE, a different character altogether in another Handel opera.]

Oh, and Xerxes already has a fiancée, Amastris (or Amastre in some versions), a mezzo who is cross-dressed first as the Quaker Oats Man (they costumed it in a nebulous 18c style for male characters) and as a red-coated soldier later on, and who is not too happy about his carryings-on in pursuit of Romilda.

Oh, and Arsamenes' servant, Elviro, cross-dresses as Poor Little Buttercup A Flower Girl to deliver a letter from Arsamenes to Romilda, which is intercepted by Atalanta, who tells the king that Arsamenes wrote it to her.

Oh, and Xerxes is sung by a woman (traditionally, a castrato). A countertenor does Arsamenes.

Oh, and as the opera opens, Xerxes is singing a love song (the justly famous "Ombra mai fu...") to his current beloved, a tree. He dumps the tree without a second thought when he hears Romilda sing, though.


At the very least, it ought be a fantastic manga.

Date: 17 November 2011 10:34 pm (UTC)
From: [identity profile] mme-hardy.livejournal.com
Heh. Whew!

Date: 18 November 2011 04:59 am (UTC)
From: [identity profile] janni.livejournal.com
Although I'm sure at least some hitpoints were lost from those glares passing between the teen brother/sister readers.

Date: 18 November 2011 05:00 am (UTC)
From: [identity profile] janni.livejournal.com
I'm still pondering the possibilities of McGonagall fanfic. Think of all the modern tragedies and triumphs he hasn't had the chance to commemorate!

Date: 18 November 2011 04:20 pm (UTC)
From: [identity profile] janni.livejournal.com
Still, McGonagall's 9/11 poem would be a thing worth the attempting.

Though I expect his true genuis would come out in a tribute to the Space Shuttle Challenger.

(One could even riff off Tay Bridge Disaster, for the latter.)

I expect his Pearl Harbor poem is justly lost amid the general glurge though, and unable to stand out within same. Ditto his ode to the Apollo astronauts.
Edited Date: 18 November 2011 04:22 pm (UTC)

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