larryhammer: floral print origami penguin, facing left (vanished away)
[personal profile] larryhammer
Today, I've been practicing choka, a long pre-classical Japanese form.


    At this time of year
at the rag end of monsoons,
    when the rains trail off
like the dregs of a party,
    when the heat remains
like a sauna stuck on high,
    when clear desert air
is a distant memory
    like a tale once told
by a comforting granny --
    at this time of year
it can be hard to believe
    in desert beauty,
in the comfort of dry heat.
    Once the sky was wide,
not narrowed by daily clouds --
    once mountains were sharp,
not softened by daily rains --
    once washes were crisp
roadbeds through hills and bosques,
    not mushy sand tracks
still damp from last night's runoff --
    once, and once again,
I tell myself, they'll return,
    those days of glory
when deep blue has no edges,
when thornscrub is forever.

Envoy

    I look at the sweat
on my cold glass of iced tea
    and remind myself,
this, too, shall pass in due time
like these drops roll down its sides.

---L.

Date: 6 September 2009 08:04 pm (UTC)
From: [identity profile] asakiyume.livejournal.com
I LOVE that song you quote in your subject line

Is there so much heat for the ones we love?
Tell me we both matter, don't we?


Your concluding lines, before the envoy, are beautiful--the notion of deep blue without edges, I like that. And I giggled at your new title for Cranston's book.

Did you see the poem "Rapunzel Considers The Desert" (http://cabinet-des-fees.com/index.php/2009/09/01/rapunzel-considers-the-desert/) in Cabinet des Fées? I liked it a lot and thought of you, Janni, and Pamela Lloyd, out in the desert, over there.

Date: 6 September 2009 09:04 pm (UTC)
From: [identity profile] stillnotbored.livejournal.com
Those are beautiful.

I envy poets who can play with different forms and come up dripping beauty. Really envy them.

Date: 7 September 2009 04:59 am (UTC)
From: [identity profile] galeni.livejournal.com
That's beautiful. Thank you.

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