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larryhammerFor Poetry Monday, something that explicitly does not reference McGonagall, but I can't read it without his ghost lurking near:
Tay Bridge, Douglas Dunn
A sky that tastes of rain that’s still to fall
And then of rain that falls and tastes of sky…
The colour of the country’s moist and subtle
In dusk’s expected rumour. Amplify
All you can see this evening and the broad
Water enlarges, Dundee slips by an age
Into its land before the lights come on.
Pale, mystic lamps lean on the river-road
Bleaching the city’s lunar after-image,
And there’s the moon, and there’s the setting sun.
The rail bridge melts in a dramatic haze.
Slow visibility –- a long train floats
Through a stopped shower’s narrow waterways
Above rose-coloured river, dappled motes
In the eye and the narrow piers half-real
Until a cloud somewhere far in the west
Mixes its inks and draws iron and stone
In epic outlines, black and literal.
Now it is simple, weathered, plain, immodest
In waterlight and late hill-hidden sun.
High water adds freshwater-filtered salt
To the aquatic mirrors, a thin spice
That sharpens light on Middle Bank, a lilt
In the reflected moon’s analysis.
Mud’s sieved and rained from pewter into gold
Conjectural infinity’s outdone
By engineering, light and hydrous fact,
A waterfront that rises fold by fold
Into the stars beyond the last of stone,
A city’s elements, local, exact.
Dunn is, FWIW, a Scottish poet and academic.
---L.
Subject quote from The Wanderer, John Masefield.
Tay Bridge, Douglas Dunn
A sky that tastes of rain that’s still to fall
And then of rain that falls and tastes of sky…
The colour of the country’s moist and subtle
In dusk’s expected rumour. Amplify
All you can see this evening and the broad
Water enlarges, Dundee slips by an age
Into its land before the lights come on.
Pale, mystic lamps lean on the river-road
Bleaching the city’s lunar after-image,
And there’s the moon, and there’s the setting sun.
The rail bridge melts in a dramatic haze.
Slow visibility –- a long train floats
Through a stopped shower’s narrow waterways
Above rose-coloured river, dappled motes
In the eye and the narrow piers half-real
Until a cloud somewhere far in the west
Mixes its inks and draws iron and stone
In epic outlines, black and literal.
Now it is simple, weathered, plain, immodest
In waterlight and late hill-hidden sun.
High water adds freshwater-filtered salt
To the aquatic mirrors, a thin spice
That sharpens light on Middle Bank, a lilt
In the reflected moon’s analysis.
Mud’s sieved and rained from pewter into gold
Conjectural infinity’s outdone
By engineering, light and hydrous fact,
A waterfront that rises fold by fold
Into the stars beyond the last of stone,
A city’s elements, local, exact.
Dunn is, FWIW, a Scottish poet and academic.
---L.
Subject quote from The Wanderer, John Masefield.
no subject
Date: 20 May 2019 05:48 pm (UTC)no subject
Date: 21 May 2019 02:53 pm (UTC)no subject
Date: 20 May 2019 06:48 pm (UTC)I see how that happens.
I like this, though.
no subject
Date: 21 May 2019 02:54 pm (UTC)no subject
Date: 21 May 2019 12:06 am (UTC)no subject
Date: 21 May 2019 02:54 pm (UTC)(Okay, what manga is that icon from?)
no subject
Date: 21 May 2019 08:09 pm (UTC)no subject
Date: 21 May 2019 08:52 pm (UTC)