larryhammer: drawing of a wildhaired figure dancing, label: "La!" (dancing)
[personal profile] larryhammer
The problem with calling this anthology "100 People, 1 Poem Each" is the obvious collision and confusion with another book I'm trying to sell. But that name would exactly describe what this is: a single poem each by a hundred different authors written in English between the late 15th century and 1922. The former boundary is soft, and merely reflects when Early Modern English became Modern enough to need minimal glossing.* The latter is as hard as legislation can make it, publication in '23 being the copyright horizon in the United States. If I lived in a country where copyright is life+70, I would have made different choices. But then, were I willing to put in the time and money to get permissions for copyrighted works, the choices would be even more different. It's not that people didn't keep writing good poems after that year, but this is a non-commercial collection.

It is also a personal selection -- the poem I see representing each person. Some are obvious choices, anthology staples for good reason. Some are less obvious. Some, I suspect, will be new discoveries for all but the very well-read. All are works I consider Good Stuff, poetry that proves itself upon my pulse, to use Keats's guideline. Poetry I want people to know and love, and that together make a good reading anthology -- one with enough variety of styles and subjects to entertain.

In general, each poem is a complete work -- the exceptions being I allowed myself one excerpt, on the grounds that we don't have the complete text of Jubulate Agno anyway, and one supposed fragment, because I don't believe in the person from Porlock. I followed the convention that a sonnet can be detached as a separate poem from a sequence, and likewise a song from a play, but otherwise multisection works are not partable, especially when there's a connected narrative. As for "people," I've slightly stretched the definition there as well: one is indefinite, while another is a two-person collaboration. The arrangement is loosely chronological by birthdate, with the exact sequence shifted slightly to bring out the conversation.

At the moment, I'm only linking to texts rather than compiling an ebook, for the same crass commercial reason cited above -- unless a title can be found that dodges around it. Suggestions welcome, as it would be an interesting project.

Version 0.9 of the TOC :

  1. Anonymous [?] - "Westron wind, when wilt thou blow"
  2. John Skelton [c.1460-1529: courtier, rector of Diss] - To Mistress Margaret Hussey
  3. Thomas Wyatt [1503-1542: courtier] - "They flee from me, that sometime did me seek"
  4. George Gascoigne [c.1539-1578: soldier of fortune] - "And if I did, what then?"
  5. Edmund Spenser [c.1552-1599: courtier, colonial landlord] - Epithalamion
  6. Christopher Marlowe [1564-1593: playwright, spy] - Hero and Leander
  7. Philip Sidney [1554-1586: courtier, soldier, novelist] - "With how sad steps, O Moon, thou climb'st the skies!"
  8. Samuel Daniel [1562-1619: tutor, historian, farmer] - "And yet I cannot reprehend the flight"
  9. Michael Drayton [1563-1631: poet] - "Since there's no help, come, let us kiss and part"
  10. William Shakespeare [1564-1616: actor, playwright] - "Let me not to the marriage of true minds"
  11. Mary Wroth [1587?-1651?: lady-in-waiting, novelist] - A Crown of Sonnets Dedicated to Love
  12. Mary Herbert [1561-1621: noblewoman, translator] - Psalm 104
  13. Aemelia Lanyer [1569-1645: lady-in-waiting, poet] - Salve Deus Rex Judaeorum
  14. Ben Jonson [1572-1637: bricklayer, soldier, playwright] - On My First Daughter
  15. Thomas Nashe [1567-1601: playwright, novelist, satirist] - "Adieu, farewell, earth's bliss"
  16. Walter Ralegh [1552-1618: courtier, adventurer] - The Lie
  17. John Harrington [1561-1612: courtier, inventor, translator, and satirist] - On Treason
  18. John Davies [1569-1626: lawyer, member of parliament, attorney general, judge] - Orchestra
  19. Richard Corbet [1582-1635: court chaplain, vicar, bishop] - The Fairies Farewell, or God a Mercy Will
  20. John Donne [1572-1631: courtier, lawyer, member of parliament, dean of Saint Paul's (London)] - The Canonization
  21. Thomas Campion [1567-1620: physician, song-writer] - "When to her lute Corinna sings" (with music)
  22. Robert Herrick [1591-1674: vicar of Dean Prior] - Upon Julia's Clothes
  23. Thomas Carew [c.1594-1640: courtier] - A Song: "Ask me no more where Jove bestows"
  24. George Herbert [1593-1633: member of parliament, rector of Bemerton] - Jordan (II)
  25. Anne Bradstreet [c.1612-1672: colonial housewife] - A Letter to Her Husband, Absent upon Public Employment
  26. John Milton [1608-1674: parliamentary polemicist, foreign secretary, epic poet] - "Methought I saw my late espouséd saint"
  27. Andrew Marvel [1621-1678: tutor, Milton's secretary, member of parliament] - To His Coy Mistress
  28. John Suckling [1609-1642: courtier, member of parliament, Cavalier officer] - "Why so pale and wan, fond lover?"
  29. Richard Lovelace [1618-1657: courtier, landowner] - To Lucasta, Going Beyond the Seas
  30. John Dryden [1631-1700: playwright, poet laureate, critic, translator] - Ode for St. Cecilia's Day
  31. Katherine "Orinda" Philips [1632-1664: parliamentary housewife, translator] - Orinda to Lucasia Parting, October, 1661, at London
  32. Aphra Behn [1640-1689: playwright, novelist, spy] - To the Fair Clarinda, Who Made Love to Me
  33. John Wilmot [1647-1680: courtier, rake] - The Disabled Debauchee
  34. Anne Finch [1661-1720: lady-in-waiting, noblewoman] - The Change
  35. Jonathan Swift [1667-1747: secretary, satirist, novelist, dean of Saint Patrick's (Dublin)] - Stella's Birthday March 13, 1719
  36. Matthew Prior [1664-1721: diplomat, politician, satirist] - An Ode
  37. John Gay [1670-1729: secretary, satirist, playwright] - To a Young Lady, With Some Lampreys
  38. Sarah Dixon [1672-1765: ?] - Lines Occasioned by the Burning of Some Letters
  39. Mary Wortley Montagu [1690-1762: travel writer] - A Summary of Lord Lyttleton's Advice to a Lady
  40. Alexander Pope [1688-1744: poet, translator, conservative polemicist] - Epistle to Miss Blount, On Her Leaving the Town, After the Coronation
  41. Mary Leapor [1722-1746: domestic servant] - Mira's Will
  42. Christopher Smart [1722-1771: scholar, Grub Street hack, devotional poet] - "For I will consider my Cat Jeoffry" (from Jubilate Agno, fragment B)
  43. Jean (or Jane) Elliot [1727-1805: noblewoman] - The Flowers of the Forest
  44. George Crabbe [1754-1832: surgeon, vicar] - His Late Wife's Wedding Ring
  45. Elizabeth Hands [fl.1789: domestic servant, housewife] - On an Unsociable Family
  46. Robert Burns [1759-1796: farmer, song-writer, musical folklorist] - To a Louse
  47. William Blake [1757-1827: artist, engraver, mystic] - For the Sexes: the Gates of Paradise (with plates)
  48. Mary Robinson [c.1757-1800: actor, royal mistress, novelist] - "Is it to love, to fix the tender gaze"
  49. Walter Landor [1775-1864: playwright, historical vignettist] - "Mother, I cannot mind my wheel"
  50. Thomas Moore [1779-1852: singer, song-writer, actor] - "Believe me, if all those endearing young charms"
  51. Leigh Hunt [1784-1859: critic, essayist, editor & publisher] - Rondeau
  52. Samuel Coleridge [1772-1834: poet, critic, philosopher] - Kubla Khan
  53. George Byron [1788-1824: a mad, bad, and dangerous to know nobleman] - The Vision of Judgment
  54. Percy Shelley [1792-1822: poet, idealist] - Letter to Maria Gisborne
  55. John Keats [1795-1821: surgeon] - Ode to a Nightingale
  56. Thomas Beddoes [1803-1849: physician, playwright] - Dirge
  57. Arthur Tennyson [1809-1892: poet, poet laureate] - In Memoriam A.H.H.
  58. Henry Longfellow [1807-1882: language professor] - The Children's Hour
  59. Ellizabeth Barrett Browning [1806-1861: poet] - "When our two souls stand up erect and strong"
  60. Robert Browning [1812-1889: poet] - Two in the Campagna
  61. Emily Bronte [1818-1848: schoolteacher, novelist] - "The night is darkening round me"
  62. Walt Whitman [1819-1892: typesetter, journalist, editor, government clerk] - The Last Invocation
  63. Adelaide Proctor [1825-1864: philanthropist, feminist] - A Lost Chord
  64. Matthew Arnold [1822-1888: critic, educator] - Dover Beach
  65. Arthur Clough [1819-1861: teacher, educator] - Amours de Voyage
  66. "Lewis Carroll" [1832-1898: mathematician, deacon] - The Hunting of the Snark
  67. Dante Rossetti [1828-1882: artist, poet, translator] - The Woodspurge
  68. Christina Rossetti [1830-1894: poet] - Goblin Market
  69. Algernon Swinburne [1837-1909: radical poet, playwright, critic] - Anactoria
  70. James Thomson [1834-1882: soldier, office clerk, journalist, critic] - The City of Dreadful Night
  71. William Morris [1834-1896: architect, artisan, interior designer, entrepreneur, publisher, socialist, novelist, poet, and prolific] - The Haystack in the Flood
  72. Thomas Hardy [1840-1928: architect, novelist] - Your Last Drive
  73. Emily Dickinson [1830-1886: gardener, recluce] - "There's a certain Slant of light"
  74. Gerard Hopkins [1844-1889: Jesuit priest, teacher] - The Windhover
  75. "Michael Field" [1846-1914 & 1862-1913 (joint pen-name): poet, playwright] - Nightfall
  76. Robert Louis Stevenson [1850-1894: lawyer, novelist, travel writer] - Requiem
  77. Oscar Wilde [1856-1900: playwright, short-story writer, critic, wit] - The Ballad of Reading Gaol
  78. Arthur Symons [1865-1945: critic, editor, translator] - White Heliotrope
  79. Ernest Dowson [1867-1900: office clerk, translator, short-story writer] - Non Sum Qualis Eram Bonae sub Regno Cynarae
  80. E. A. Robinson [1869-1935: poet] - Eros Turannos
  81. Charlotte Mew [1869-1928: short-story writer] - A Quoi Bon Dire
  82. A. E. Housman [1859-1936: patent clerk, classical scholar] - "The chestnut casts his flambeaux"
  83. William Yeats [1865-1939: playwright, politician, creative mythographer] - Wild Swans at Coole
  84. John Masefield [1878-1967: sailor, novelist, poet laureate] - Sea Fever
  85. Rudyard Kipling [1865-1936: journalist, short-story writer, novelist] - The Sea and the Hills
  86. Robert Service [1874-1958: banker, novelist] - The Spell of the Yukon
  87. Robert Frost [1875-1963: farmer, teacher] - Hyla Brook
  88. Edward Thomas [1878-1917: biographer, critic] - The Owl
  89. Sara Teasdale [1884-1933: poet] - I Shall Not Care
  90. Elinor Wylie [1885-1938: society wife, editor, novelist] - Wild Peaches
  91. Edna Millay [1892-1950: poet, playwright] - Recuerdo
  92. Siegfried Sassoon [1886-1967: cricket player, novelist, memoirist] - Survivors
  93. Wilfred Owen [1893-1918: teacher, tutor] - Futility
  94. E.E. Cummings [1894-1962: painter, playwright] - the bigness of cannon
  95. Amy Lowell [1874-1925: poet, critic] - The Taxi
  96. Ezra Pound [1885-1972: editor, critic, fascist polemicist] - The River-Merchant's Wife: A Letter
  97. T. S. Eliot [1888-1965: banker, publisher, playwright, critic] - La Figlia Che Piange
  98. Wallace Stevens [1879-1955: lawyer, executive] - Sunday Morning
  99. H.D. [1886-1961: novelist, memoirist] - Garden
  100. Marianne Moore [1887-1972: secretary, librarian, editor, critic] - Poetry


Feedback, including complaints and ideas for improvements, is appreciated (though of course not required). Also, a title.

ETA: Oh hello -- possible alternatives for #32-33: Behn's The Disappointment and Wilmot's The Imperfect Enjoyment. Possibly even in the reverse order. ETA2: Actually, no -- that would replace two queer poems with straight, if satirically explicit, ones.


* If you ignore the mickle o' Scots behind that curtain.


---L.

Date: 13 April 2012 08:21 pm (UTC)
From: [identity profile] starlady38.livejournal.com
The title of the poem in #60 has an error - it should be "Two in the Campagna."

Sounds cool.

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