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From July '09 to July '10, I wrote a poem a day.
Which is when I realized that Always Observing takes work. Yeah, I know -- sometimes I'm slow to catch on. Always Observing means disengaging perception filters that are there for a reason, so you can focus on whatever else is actually important to the moment. The Romantic idea of a poet as uniquely sensitive is of course bosh, even aside from how it discounts the craft side of things, but it's not complete bosh. But more, now I'm wondering if my burnout was as much the wear of Always Observing as the damn daily poem grind.
Which is good, as coming up I've got a couple weeks of what had been a vacation to fill. It's going to be fun finding out what will happen.
Saguaros bloom outSpecifically, a nature poem a day. This meant I had to be Always Observing for a year -- walking around with my senses alert, watching, listening, feeling. Cataloging not just the world around me but my own reactions to it all. And then, of course, describing it using the right words in the right patterns. I knew what it meant going in -- I started the project in part by way of forcing myself to focus outside myself. This wasn't the only reason, of course -- like most art there was also a large component of I Had To, with a side of It Seemed Like A Good Idea At The Time.
with their white trumpets blaring
bright from every arm,
like the last guests to arrive
ready to party all night.
A paint-drop of flowers:By the end of the year, I was pretty burned out. At the time, I thought it was mostly the effort of writing that damn daily poem for one month too many. In theory, I have been revising the cycle ever since. In reality, there were a few months I couldn't look at the dratted thing, not even to finish entering comments from first readers. Earlier this spring, I returned to the draft in earnest: polishing, revising, rearranging, testing last year's experience against this year, discarding the duplicates and inconsequential and plain botched jobs.
whites, yellows, shading to gold,
lavenders, purples,
violets of deepening shades
spilled down the bajada slope.
In the setting westA couple weeks ago, I went on a hike for replacement material -- in this case, something I'd forgotten to write about as opposed to had written badly. After fifteen minutes on the trail, I stopped walking because I realized was ... just walking, not observing. I needed to return to Always Observing. And after a few false starts, I did -- and it turned out to be much easier than it had been for a while. Since, well, about the time I started burning out.
before the first tinge of dawn,
a full yellow moon
stares back at me wide-eyed
like it's been awake all night.
Which is when I realized that Always Observing takes work. Yeah, I know -- sometimes I'm slow to catch on. Always Observing means disengaging perception filters that are there for a reason, so you can focus on whatever else is actually important to the moment. The Romantic idea of a poet as uniquely sensitive is of course bosh, even aside from how it discounts the craft side of things, but it's not complete bosh. But more, now I'm wondering if my burnout was as much the wear of Always Observing as the damn daily poem grind.
Up the canyon trailBut yanno? It felt good to be back in that mode. Or rather, it felt good to be back.
swallows chitter overhead,
a wren's notes descend,
and a raven's raucous caw
echoes the rock arena.
Which is good, as coming up I've got a couple weeks of what had been a vacation to fill. It's going to be fun finding out what will happen.
Under a blue sky---L.
where paired falcons pirouette,
two coyotes trot
silently along the trail
into the rising spring day.
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Date: 13 May 2011 03:30 pm (UTC)no subject
Date: 13 May 2011 03:38 pm (UTC)---L.
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Date: 13 May 2011 03:50 pm (UTC)no subject
Date: 13 May 2011 04:00 pm (UTC)---L.
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Date: 13 May 2011 03:43 pm (UTC)This makes absolute sense to me.
I love that first poem, btw. :)
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Date: 13 May 2011 04:01 pm (UTC)---L.
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Date: 13 May 2011 07:46 pm (UTC)