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larryhammerFor Poetry Monday:
Sir Gawain Fucks the Green Knight, Kim Deyn
Here’s a tale ripe for telling. Can’t say where I heard it first—in pretty French or Dutch. Perhaps as a young lady walking longside the Rijn. I’ll spin it for you in an English tongue, fine as frost on lace, sweet as malmsey wine. So it goes that young Gawain, strength kissed into his limbs, fresh as the bright dawn, comes trembling down to the Green Chapel. You’ve heard this tale, I know. His breath makes peach fuzz in the air, fear into him like worm to apple. Christmas Morn is too soon, time is short. You have your own life to save, he says, picking through thorn and bough to an ivy-clad cave.
The creature is the Jack O’ the Glen / forest prince / the wood’s own laughter. Beard of lichen and eyes like dark elder. I need not repeat their exchange—my boy’s flinching heart—a songbird in a rattled cage. It is after the blows are dealt, he asks, what god is worshipped in these green trees? Boy, the Knight replies, boy, were you not just down on your knees?
The Knight is the tang of sap / bark rough and petal soft / everywhere leaves scatter / easily crushed / Gawain clings / hardly knows what he clings to / he is the forest and the flower / a turmoil of roots / where god and tree meet and melt / the birch the oak the fern the deer / mushroom maggot crow / here Gawain is branch and bud / blow returned for blow
Originally published in Queerlings Issue 7 (Apr 2023). I have to wonder whether the initial inspiration was the last line.
---L.
Subject quote from Don’t Leave Me This Way, Harold Melvin & The Blue Notes feat. Teddy Pendergrass (Thelma Houston’s disco cover is admittedly better).
Sir Gawain Fucks the Green Knight, Kim Deyn
Here’s a tale ripe for telling. Can’t say where I heard it first—in pretty French or Dutch. Perhaps as a young lady walking longside the Rijn. I’ll spin it for you in an English tongue, fine as frost on lace, sweet as malmsey wine. So it goes that young Gawain, strength kissed into his limbs, fresh as the bright dawn, comes trembling down to the Green Chapel. You’ve heard this tale, I know. His breath makes peach fuzz in the air, fear into him like worm to apple. Christmas Morn is too soon, time is short. You have your own life to save, he says, picking through thorn and bough to an ivy-clad cave.
The creature is the Jack O’ the Glen / forest prince / the wood’s own laughter. Beard of lichen and eyes like dark elder. I need not repeat their exchange—my boy’s flinching heart—a songbird in a rattled cage. It is after the blows are dealt, he asks, what god is worshipped in these green trees? Boy, the Knight replies, boy, were you not just down on your knees?
The Knight is the tang of sap / bark rough and petal soft / everywhere leaves scatter / easily crushed / Gawain clings / hardly knows what he clings to / he is the forest and the flower / a turmoil of roots / where god and tree meet and melt / the birch the oak the fern the deer / mushroom maggot crow / here Gawain is branch and bud / blow returned for blow
Originally published in Queerlings Issue 7 (Apr 2023). I have to wonder whether the initial inspiration was the last line.
---L.
Subject quote from Don’t Leave Me This Way, Harold Melvin & The Blue Notes feat. Teddy Pendergrass (Thelma Houston’s disco cover is admittedly better).