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For Poetry Monday, because the dragon of summer has arrived in the desert, something from up north:
How One Winter Came in the Lake Region, William Wilfred Campbell
For weeks and weeks the autumn world stood still,
Clothed in the shadow of a smoky haze;
The fields were dead, the wind had lost its will,
And all the lands were hushed by wood and hill,
In those grey, withered days.
Behind a mist the blear sun rose and set,
At night the moon would nestle in a cloud;
The fisherman, a ghost, did cast his net;
The lake its shores forgot to chafe and fret,
And hushed its caverns loud.
Far in the smoky woods the birds were mute,
Save that from blackened tree a jay would scream,
Or far in swamps the lizard's lonesome lute
Would pipe in thirst, or by some gnarlèd root
The tree-toad trilled his dream.
From day to day still hushed the season's mood,
The streams stayed in their runnels shrunk and dry;
Suns rose aghast by wave and shore and wood,
And all the world, with ominous silence, stood
In weird expectancy:
When one strange night the sun like blood went down,
Flooding the heavens in a ruddy hue;
Red grew the lake, the sere fields parched and brown,
Red grew the marshes where the creeks stole down,
But never a wind-breath blew.
That night I felt the winter in my veins,
A joyous tremor of the icy glow;
And woke to hear the north's wild vibrant strains,
While far and wide, by withered woods and plains,
Fast fell the driving snow.
Campbell (c.1860-1918) was born in Ontario, attended a seminary in Massachusetts, and was an Episcopal rector in New Hampshire and New Brunswick until he gave up the ministry in his mid-30s to become a civil servant and man of letters in Ottawa. He initially made his name as a nature poet, but aged into a poet of (diffuse) spirituality and (British) imperialism -- in short, he was very much a conservative late Victorian. This is one of his best-known poems.
---L.
Subject quote from "Dance Apocalyptic," Janelle Monáe.
How One Winter Came in the Lake Region, William Wilfred Campbell
For weeks and weeks the autumn world stood still,
Clothed in the shadow of a smoky haze;
The fields were dead, the wind had lost its will,
And all the lands were hushed by wood and hill,
In those grey, withered days.
Behind a mist the blear sun rose and set,
At night the moon would nestle in a cloud;
The fisherman, a ghost, did cast his net;
The lake its shores forgot to chafe and fret,
And hushed its caverns loud.
Far in the smoky woods the birds were mute,
Save that from blackened tree a jay would scream,
Or far in swamps the lizard's lonesome lute
Would pipe in thirst, or by some gnarlèd root
The tree-toad trilled his dream.
From day to day still hushed the season's mood,
The streams stayed in their runnels shrunk and dry;
Suns rose aghast by wave and shore and wood,
And all the world, with ominous silence, stood
In weird expectancy:
When one strange night the sun like blood went down,
Flooding the heavens in a ruddy hue;
Red grew the lake, the sere fields parched and brown,
Red grew the marshes where the creeks stole down,
But never a wind-breath blew.
That night I felt the winter in my veins,
A joyous tremor of the icy glow;
And woke to hear the north's wild vibrant strains,
While far and wide, by withered woods and plains,
Fast fell the driving snow.
Campbell (c.1860-1918) was born in Ontario, attended a seminary in Massachusetts, and was an Episcopal rector in New Hampshire and New Brunswick until he gave up the ministry in his mid-30s to become a civil servant and man of letters in Ottawa. He initially made his name as a nature poet, but aged into a poet of (diffuse) spirituality and (British) imperialism -- in short, he was very much a conservative late Victorian. This is one of his best-known poems.
---L.
Subject quote from "Dance Apocalyptic," Janelle Monáe.